We Did Do Williamsburg | Brooklyn

Williamsburg Walker.png

WILLIAMSBURG | BROOKLYN didn’t ‘just happen‘ the way some people may believe. It wasn’t something magical, something arbitrary, accidental or something strange. The neighborhood didn’t just transform itself.  


It was planned.  


We planned it:
Back in 2000, we started a publication to promote the neighborhood (11211 Magazine). By 2006, we had distributed half a million copies in both Manhattan and Brooklyn. Prior to this, the printed publication there was only distributed locally. Secondly, there were a number of brand personas we used to produce awareness of a spawning artist culture through publishing and promoting events. Thirdly, we spear-headed the combining of the local businesses and local artists who would join together in a concerted effort to promote the neighborhood.

We (@11211 Magazineled this operation over 6 years.
We solicited 500 fashion brand named businesses in Manhattan for advertising and got no where. We were forced to lean into getting to meet/m and get to know all of the local businesses and business owners. We reached out to artists, illustrators, writers and photographers and paid everyone for their contribution to the magazine. Advertising money was generated from the local businesses and was used to pay all artists and writers who contributed, sales staffing, printing and distribution.

Williamsburg | Brooklyn 2001


Williamsburg had all the makings and raw qualities of the next big artist’s community. It was a fifteen minute MTA commute to Union Square with scores of near-empty loft buildings.

The strip (Bedford Avenue) has small and cute retail stores which you could rent for as little as $800. per month in 2000. A year before (1999) you could rent the same space for $300. per month. A year later (2001) the same exact space rented to Brooklyn Handknit for $3,000. per month. Brooklyn Handknit was selling their hats in Bergdorf-Goodman. Gentrification had arrived to Bedford Avenue.


Many of the industrial lofts were rented to artists and musicians and many deals that were under the table and off the grid. Illegal loft living was a hush hush to the 3,000 artists that lived there.

The first stop on the Brooklyn L Train is still Bedford Avenue—a very short train ride to the East Village. So, the location was ideal for a cool bedroom for creative executives working in NYC.


The subconscious and emotional elements we added to the Williamsburg brand were the deeper, subversive reasons why the hundreds of thousands of people came and talked about Williamsburg to others (Word Of Mouth). If we had to sum up the branding effort in just a few words, it would be that Williamsburg was a living embodiment of a new form of:  The American Dream.

As a result, near the end of 2010-2011, a reported 15,000,000 national and international tourists came to visit Brooklyn through Williamsburg. We made that little piece of Brooklyn cool—cooler than ever before. 


BinkNyc View, Breuk Iversen, Fishbeef


Mr. Iversen has this to say:

When I asked Milton Glaser what he thought I should do in 2001, he told me: Forget Williamsburg, there’s no money there. Go to SoHo. The businesses there would appreciate a fine publication like this on such a heavy weight paper. I thought to argue the point that Soho was done and Williamsburg was fresh and up and coming. He didn’t agree. I dropped the topic but knew in my heart of hearts about the tremendous potential Williamsburg  could offer. I continued on with promoting and publicizing the neighborhood.” 


Williamsburg, BinkNyc, Breuk Iversen

To give a sense of scale, back in 2000 there was little interest in Brooklyn and the city wasn’t even keeping track of tourism. Then by 2011, 15 million tourists were recorded coming to Brooklyn and mainly through Williamsburg | Brooklyn. Today, tourism growth to Brooklyn has slowed a little.

(See: Global Brand www.CrainsNewYork.com/Brooklyn Blooms)


Williamsburg | Brooklyn InfoGraphic, 11211 ZIP Code, 11211 Magazine, Breuk Iversen, Nikos Katsanevakis, BinkNyc.com, 11211.com

The_New_York_Times    < See Article Here 



Breuk Iversen, BinkNyc, Fishbeef.com

11211 Magazine founder and publisher, Breuk Iversen is listed among one of the most prolific designers of all time.

Most Prolific Graphic Designers of All Time



Let’s plan the future for your company or corner of the globe. We use an ultra-modern business growth system called the Neurochemical. The system is based on a highly curated collection of statistical evidence, research, biology, both psychological and lifestyle profiling and numerous recent neurological and scientific findings (see case studies).

This system leaves no room for error. We take the hunches and guesswork out of growing a company. If we execute an error, we fix it immediately and continue to build a company.

“In business our success depends on power and persistence of our clients. They are the stars of the show.”  — Breuk Iversen


When we say…


BinkNyc transforms a company into a culture,
grows businesses into movements,
improving peoples’ lives. 


We mean it.


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